While a writers’ group can be the best thing that ever happened to your writing, it can also turn out to be maybe the worst! This has nothing to do with the principles of what a critique group is supposed to do – if you’ve done your homework, you hopefully have arrived in a group that suits you perfectly. But after a while, as members come and go (which they will do), you may find one or two bad eggs have sneaked in.
Bad Egg 1: The “expert”. Often this person joins a group that they perceive as “amateurs” and get their satisfaction from tearing everyone else’s work to shreds. They seem to have met plenty of editors and agents, and know intimate details of what they’re looking for – never what you’re writing though. When you pin them down, usually they either don’t write at all, or write badly and have never been published (or not anywhere that counts).
Bad Egg 2: The “mouse”. She or he sits quietly, smiles, makes the coffee, brings cake. Is always working on something too big to bring for critiquing right now. And is way too polite to actually comment constructively on anyone else’s work. You’d almost forget they were there … except they are and you wonder why.
Bad Egg 3: The “boss”. This is the person who wants the group to take minutes, to form a “society” of some kind, to have a timer so no one gets a second more than their allotted time. Oh, and s/he decides how much time you’ll get, with his/her calculator. The group ends up spending so much time on official trivia that critiquing falls by the wayside.
Bad Egg 4: The “needy one”. This person means well, but their need for reassurance and encouragement leads to everyone in the group feeling like they can no longer give honest critiques. And that tends to leak outwards so that critiques generally become softer, less realistic and less helpful.
Bad Egg 5: The “defender”. Even if your group has a rule (a common rule, by the way) that the person whose work is being critiqued is not allowed to respond until the end, this person will argue and defend every comment you make. They always have to explain why their character acts that way, or says those words, or what that gaping plot hole is for. This can lead to some awful scenes all round!
Bad Egg 6: The “mentally ill”. Sadly, occasionally you will see this person in a writing group. When they are honest about their condition, it’s usually fine and the group can help. But often they refuse to acknowledge they have a problem, and can blow a writing group apart with their behaviour. I’ve experienced this personally, and we were lucky to save our group (and had to ask the person to leave).
What can save a group from any of these bad eggs? Communication. If you have agreed how the group will run, then any of these members can be asked to leave if they are becoming destructive. If you have a great critique group, it’s worth taking action.
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